So, after sneering at the Star Wars books my whole life as pulp fiction, then being pleasantly surprised by the gripping Thrawn Trilogy and Hand of Thrawn duo, I boldly sallied forth to the "Sci Fi" section of the used bookstore. It was a bewildering place, full of garishly colored covers with strange aliens and melodramatic titles, all on those small fat volumes that I had spent most of my life avoiding. But my husband's birthday was in a few days, and with the best bits of the Thrawn books still ringing in my ears, I looked at the section with new respect, thinking what deep questions or compelling characters lay buried behind those garish paperbacks.
I bought him the first 3 books of the "Exciting New (in '96) X-Wing Series!", its cover illustrations glam shots of X wings, Tie fighters, and space stations, downright respectable looking.
Well.
It made me realize how much Zahn really understood women, and (cough, cough) The Universe (because we're just that important).
So, Zahn understands how women tick. He knows they want respect, and more importantly, what kind of respect.
He knows what they find attractive in a guy. And what behaviour impresses them, especially even after he's let you down.
He knows how they feel about their honor, past relationships, children, and loyalty. He knows how they want to seem, how they want to be portrayed, and especially how they fight (with guys).
And Stackpole...well....almost all the characters feel very flat. The drama is somewhat high-schoolerish. The badguys cackle melodramatically (kinda). The goodguys are of the "I'll never surrender to you, Duku!" variety. And the women......
In the very first book "Rogue Squadron" the main girl finds herself thinking the main boy is awesome, despite not wanting to, because his dad did something mean to her dad. Oh the romantic tension! Very standard so far, girl with mixed feelings for guy, what is she to do?
Mara's (ala Zahn) solution:
Beat him up or try to kill him or avoid him
Mirax's (ala Stackpole) solution.
Hit on him, to try to hook up with him, so she'll despise him, so she won't think he's awesome, so she remains loyal to her Dad in not liking this guy.
I humbly suggest this as the new cover to Rogue Squadron.
And in the meantime, I declare only Zahn's books to be Star Wars Canon for books.
Zahn's star wars books were infinitely superior. First off, his characters operated in a world that felt like, well, a world with old people, and kids, and convoluted mid-life crises grownups, and young people, etc. Stackpole's world feels like a perpetual high school world, populated only by high schoolers.
Secondly, HIS WOMEN ACTED LIKE REAL WOMEN. They think, fight, and show their loyalty, like real women. And best of all, they're kinda awesome. And they don't throw themselves at guys in convoluted logic circles to make themselves not like them. And the guys that like them actually respect them, a lot. And the women also have awesome ninja skills, which they don't use to wantonly kill, but to protect those they are fiercely loyal to, like she-bears.
Thirdly, there is a moral structure to the universe. It's implied. You
see stable marriages. You see a husband holding his wife while she's
going through labor. You see farmers getting in TIE fighters to defend
their homes, you see the hero fight like a teenager and then humbly
apologize, you see the bitterness that tears apart worlds when race
crimes are not forgiven, you see people bothered by sketchy pasts, you see a middle
aged man trying to make things right with his octogenarian mentor, and
you see a woman looking through the dysfunctions of her
friend-turned-assassin and choose to love and choose to forgive. Its a
moral universe that feels real. That has real repurcussions to things.
In which dying to yourself, and protecting the weak, and repenting of
pride, and forgiveness is the only way to peace.
It is a world which has a sky.
Friday, August 16, 2013
Monday, August 12, 2013
5 Things That Make Me Happy
Things that make me happy.
#1
Memories of climbing this mountain, looking like a Lord of the Rings set. Seriously, God didn't have to make these obscure harsh places of the world so beautiful, but he did. (Independence Pass, CO)
#2
Clouds. Especially clouds catching the light.
#3
Isaiah wearing big floppy hats (he usually prefers baseball caps, backwards)
#4
My Medieval-Inspired Tunic I made, that makes me feel AWESOME. Like Shada D'ukal. Or someone from Lord of the Rings. Or someone just awesome. Its actually quite simple to make, is easy to nurse in, and makes the wearer feel awesome. Tutorial coming soon. (Josh told me I looked like his idea of a girl Jedi in it :) Most romantic husband ever!)
#5 These people being happy. They started out with a dream and sheer Chutzpah. Doing impossible things, because they were too young to realize it, and so they did them anyway....
I love them for it.
JOSH CAUGHT ON (MY) CAMERA SMILING!!!!
#1
Memories of climbing this mountain, looking like a Lord of the Rings set. Seriously, God didn't have to make these obscure harsh places of the world so beautiful, but he did. (Independence Pass, CO)
| Was there a couple weeks ago. Sniff. It was so beautiful. |
#2
Clouds. Especially clouds catching the light.
| I took this out of a car window, a car that was moving. Thus the blurriness.... |
#3
Isaiah wearing big floppy hats (he usually prefers baseball caps, backwards)
#4
My Medieval-Inspired Tunic I made, that makes me feel AWESOME. Like Shada D'ukal. Or someone from Lord of the Rings. Or someone just awesome. Its actually quite simple to make, is easy to nurse in, and makes the wearer feel awesome. Tutorial coming soon. (Josh told me I looked like his idea of a girl Jedi in it :) Most romantic husband ever!)
| Ignore the weird face. But the picture shows the tunic well. |
#5 These people being happy. They started out with a dream and sheer Chutzpah. Doing impossible things, because they were too young to realize it, and so they did them anyway....
I love them for it.
![]() |
| Burns Family Studios evidently watching a stunt http://beyondthemaskmovie.com/site/2012/uncategorized/day-47/ |
#6
JOSH CAUGHT ON (MY) CAMERA SMILING!!!!
Seriously, this is a rare rare
rare event. He hates cameras, and makes a Classic Josh Why-are-you-ruining-this-moment-with-a-camera face, modeled in 99.9% of all the pictures that I have of him. Which is very distorted impression for posterity, since he only makes that face for cameras. So I slyly took this picture while he was talking to Micah. It pleases me muchly :)
Saturday, August 3, 2013
Star Wars Hair Styles
As a kid, my Daddy took us to see the rerelease of Episode IV of Star Wars in theaters. I'd tried to to the hair before, but never got any where, as Alderanians evidently either have about 4x the hair thickness and volume as the rest of us humans have, or Princess Leia used hair extensions. I think I'll opt for the former.
I'd seen wigs for the Leia Classic hair, but they all looked, um, like wigs. I'd even attempted once with hair pins to make my sister Leah's hair do this, but despite her God-given incredibly thick hair (jealousy alert, sob sob), I couldn't get it to stay firmly. So I gave it up as only a wig-possible type of hair. And not being into wigs, I just gave up on it.
THEN I SAW THIS
Amy at Increasingly Domestic used sock buns to make her daughter the most convincing Princess Leia classic hairstyle I'd ever seen. SHE LOOKS AWESOME.
It looks infinitely more beautiful than wigs, is secure and comfortable and relatively lightweight. Best of all, your hair doesn't even need to be particularly long or even thick to do this. And you can just use old socks...
SO now that I am inspired by this sock bun technique to try a few Leia hairstyles, as well as invent a few Star-Wars universe (not the travesty that is Ep I-III) plausible styles that I think people like Shada D'ukal would have worn.
This is going to be fun.
Coming Soon, tutorials on....
1. Leia classic (2 buns) (Ep IV)
2. Leia ceremonial (Ep IV)
3. Leia at Bespin (with one sock bun) (Ep V)
4. Leia's crown braid (Already done, tutorial coming) (Ep V)
About Shada D'ukal's hair, all we know from Zahn[i.e. the only canonical Star Wars writer in Hannah's Star Wars Canon) (and if there's a comic book out there with her pretense of her likeness, forget it) is that Shada wore her hair with needles and braids at least 4x, irst at the Whirlpool (where she used them in battle, a few weeks later at Hajarna, with a secret comm-link needle when catching the Devoronian, and 10 yrs later at her meeting with Karoly in an "elaborate plaited hairstyle." Since its the only references to her hair at all in the Thrawn Trilogy, I think we can assume it was part of her deceptive uniform as Mazzic's bodyguard, along with the gown.
The most description we get is the first time at the Whirlpool,
(insert quote)
Its intricate, involves 6 needles and evidently uses no pins or extras, as when she pulls them out to use them, her hair falls down in a bunch of braids.
Ornate Whirlpool/Meeting Karoly Hairstyle
-All hair braided in lots of braids
-6 needles, all hair up somehow
-needles can be whipped out pretty quickly
-very ornate
Perhaps she has levels of fanciness, catching the Devoronian, it may have been a single stick in a much more practical bun. Or something half-fancy but not as crazy formal as the other ones (worn with ball gowns)
Then in the Hand of Thrawn books, where she's being Karrde's bodyguard, it never mentions her needles as weapons. In fact, she has to resort to using coffee mugs etc. as stun weapons (which she's good at...). If she has the needles she would have used them. Which suggests, as Karrde's quasi-bodyguard, where she didn't have to pose as a decoration (with the exception of when then met Bombassa) that she spent considerably less time on her hair.
She wore practical clothing on that trip, jumpsuit and a robe/tunic type of practical clothing. She would still have all that hair, having just left Mazzic's service. I'm guessing she wore it either in a practical braid(s) or bun, as she is a real warrior. You need to keep your hair out of your face somehow. I keep thinking if she had a bun, buns are held by needles, and she would have used the needles, so it would probably be a braid of some kind, given her proficiency at braiding for 10 yrs, I think that's the most likely.
I think I shall make some fan art, and then do the hair and tutorials to go along with it :)
5. Shada D'ukal half-up + braid, 2 ways
6. Shada D'ukal's Whirlpool hairstyle....triple bun variations....
7. Shada D'ukal's Practical hair (I think a low parted french... maybe?)
:)
![]() |
| LEIA HAIR #1(Classic) Her buns on either side of her head are about 2x the size of my entire head of hair |
![]() |
| LEIA HAIR #2 (Ceremony) SO MUCH GLORIOUS HAIR |
I'd seen wigs for the Leia Classic hair, but they all looked, um, like wigs. I'd even attempted once with hair pins to make my sister Leah's hair do this, but despite her God-given incredibly thick hair (jealousy alert, sob sob), I couldn't get it to stay firmly. So I gave it up as only a wig-possible type of hair. And not being into wigs, I just gave up on it.
THEN I SAW THIS
![]() | |
| From this awesome website http://increasinglydomestic.blogspot.com/2012/11/handmade-princess-leia-costume.html |
It looks infinitely more beautiful than wigs, is secure and comfortable and relatively lightweight. Best of all, your hair doesn't even need to be particularly long or even thick to do this. And you can just use old socks...
SO now that I am inspired by this sock bun technique to try a few Leia hairstyles, as well as invent a few Star-Wars universe (not the travesty that is Ep I-III) plausible styles that I think people like Shada D'ukal would have worn.
This is going to be fun.
Coming Soon, tutorials on....
1. Leia classic (2 buns) (Ep IV)
2. Leia ceremonial (Ep IV)
3. Leia at Bespin (with one sock bun) (Ep V)
4. Leia's crown braid (Already done, tutorial coming) (Ep V)
About Shada D'ukal's hair, all we know from Zahn[i.e. the only canonical Star Wars writer in Hannah's Star Wars Canon) (and if there's a comic book out there with her pretense of her likeness, forget it) is that Shada wore her hair with needles and braids at least 4x, irst at the Whirlpool (where she used them in battle, a few weeks later at Hajarna, with a secret comm-link needle when catching the Devoronian, and 10 yrs later at her meeting with Karoly in an "elaborate plaited hairstyle." Since its the only references to her hair at all in the Thrawn Trilogy, I think we can assume it was part of her deceptive uniform as Mazzic's bodyguard, along with the gown.
The most description we get is the first time at the Whirlpool,
(insert quote)
Its intricate, involves 6 needles and evidently uses no pins or extras, as when she pulls them out to use them, her hair falls down in a bunch of braids.
Ornate Whirlpool/Meeting Karoly Hairstyle
-All hair braided in lots of braids
-6 needles, all hair up somehow
-needles can be whipped out pretty quickly
-very ornate
Perhaps she has levels of fanciness, catching the Devoronian, it may have been a single stick in a much more practical bun. Or something half-fancy but not as crazy formal as the other ones (worn with ball gowns)
Then in the Hand of Thrawn books, where she's being Karrde's bodyguard, it never mentions her needles as weapons. In fact, she has to resort to using coffee mugs etc. as stun weapons (which she's good at...). If she has the needles she would have used them. Which suggests, as Karrde's quasi-bodyguard, where she didn't have to pose as a decoration (with the exception of when then met Bombassa) that she spent considerably less time on her hair.
She wore practical clothing on that trip, jumpsuit and a robe/tunic type of practical clothing. She would still have all that hair, having just left Mazzic's service. I'm guessing she wore it either in a practical braid(s) or bun, as she is a real warrior. You need to keep your hair out of your face somehow. I keep thinking if she had a bun, buns are held by needles, and she would have used the needles, so it would probably be a braid of some kind, given her proficiency at braiding for 10 yrs, I think that's the most likely.
I think I shall make some fan art, and then do the hair and tutorials to go along with it :)
5. Shada D'ukal half-up + braid, 2 ways
6. Shada D'ukal's Whirlpool hairstyle....triple bun variations....
7. Shada D'ukal's Practical hair (I think a low parted french... maybe?)
:)
Wednesday, July 17, 2013
Kids Star Wars Costumes, and STAR WARS FEVER and Why Timothy Zahn breathes life into the Star Wars Universe....
I am in a Star Wars phase right now.
So I am torn between dressing up my 2 yr old son for Halloween as this
or this
They are both AWESOME.
Considering my son has made me watch Captain America 19 times, Captain America was the obvious choice. But I am in a Star Wars mood. And if my 2 yr old son is going to be Captain America, what will my 1 yr old daughter be? Someone suggested a modest version of the chorus girl outfit, but while it would be objectively cute, I didn't really like the chorus girls as characters--they weren't really awesome. Now Peggy would be an awesome character. But the thought of sewing a complete Victory Suit Jacket for a 1 yr old---all those tiny button holes...ahhhhh
And then I saw this
And the the thought of Isaiah in Luke's tunic with a blue lightsaber standing next to Jenny my little R2 unit was more cuteness than I could bear.
Especially with this hat
So....I was one of those people who heartlessly mocked my little brother's reading Star Wars Books as pulp fiction. I firmly believed only Episode IV-VI was canon (and decried the travesty that is Ep. I-III). I scoffed the Star Wars books, and over time scrapped Ep. V and VI from my internal canon as well, refusing to believe Leia was Luke's sister, etc.
Now I've revised my internal canon somewhat.
Because Timothy Zahn is awesome.
Or at least, he really really breathes life into the Star Wars universe. He gives depth to the 'Force' by straining the metaphor to make it as theistic as possible, he writes characters that feel so incredibly real, and best of all, there are no expendable characters. Even the one-page nameless throwaway characters feel real and are given dignity and personhood---from the witty shield-ship operate annoyed with Han's non-cooperation in moving the Millennium Falcon, to the control-operators of the Imperial Fleet, to the squabbling aliens at the marketplace, to the faceless bad-guy ninjas---all transformed into beings with faces, with souls, with thoughts.
You never get the feeling that all the other characters are card-board cutouts to give color while the main characters be awesome. You get the feeling that everyone else is just as precious as the princesses and Jedis, from the conscripts of the Imperial fleet, to the pushy nameless alien trying to sell fruit to Wedge. Every life is precious, each soul something remarkable and valued. Even (spoiler alert) the clones. (As a clone myself, this distinction is very important to me). Even if sometimes you have to kill people. They still matter. Its complicated....But basically, you finish his books caring about his characters, who feel like real people---who struggle with big things, like the meaning of 'justice', and the value of human life, and demonic possession, and not letting bitterness eat your heart out.
Not to say there aren't places where Zahn does it poorly. The end of The Last Command was a pillow-punching disappointment for me. (I don't want to give away too many spoilers) Suffice to say that he has made up for it in his 2-book sequel The Hand of Thrawn, everything good in the Thrawn trilogy gets better in the Hand of Thrawn, and the things done wrong in the Trilogy are somewhat righted in the Hand of Thrawn. (Although I haven't finished it yet....)
However, as the Hand of Thrawn bitterly shows with its elaborate (and creative) re-explanations of the havoc wreaked by lesser authors on his beloved characters in between his books (Mara just PRETENDED to be an airhead for a secret spy mission...Those other girl's Luke dated? He was under the influence of the Dark Side...) , many many Star Wars books are silly, stupid, and do wretched things making beloved characters act totally out of character.
Hannah's internal Star Wars canon (a.k.a. THE TRUTH), is
But in Ep. IV-VI + Timothy Zahn's books, the Star Wars characters act true, and the universe corresponds to reality.
It fits. It works. It's real.
I rest my case.
**********
Updated with all the new books he's writing "Allegiance", "Choices of One", "Survivors Quest", and "Scoundrels".
I refuse to accept whatever weird death some lesser author assigned to Mara.
She clearly had at least 4 kids (her vision saw "childREN"), and convinced Luke to go off and work with a Thrawn clone in the Empire of the Hand to defend the galaxy from the horrible threat....
So I am torn between dressing up my 2 yr old son for Halloween as this
or this
They are both AWESOME.
Considering my son has made me watch Captain America 19 times, Captain America was the obvious choice. But I am in a Star Wars mood. And if my 2 yr old son is going to be Captain America, what will my 1 yr old daughter be? Someone suggested a modest version of the chorus girl outfit, but while it would be objectively cute, I didn't really like the chorus girls as characters--they weren't really awesome. Now Peggy would be an awesome character. But the thought of sewing a complete Victory Suit Jacket for a 1 yr old---all those tiny button holes...ahhhhh
And then I saw this
![]() |
| At this place, with adorable pics of a little girl wearing it http://www.etsy.com/listing/107492235/custom-star-wars-r2d2-inspired-toddler |
And the the thought of Isaiah in Luke's tunic with a blue lightsaber standing next to Jenny my little R2 unit was more cuteness than I could bear.
Especially with this hat
![]() |
| http://www.etsy.com/listing/156764867/r2d2-from-star-wars-fleece-hat?utm_source=google&utm_medium=product_listing_promoted&utm_campaign=geekery_mid&gclid=CNnG7o37tbgCFUfZQgodfBAAwQ |
| http://www.ebay.com/itm/Star-Wars-R2D2-Toddler-Costume-/150959350812?pt=US_Costumes&hash=item2325e0e41c |
So....I was one of those people who heartlessly mocked my little brother's reading Star Wars Books as pulp fiction. I firmly believed only Episode IV-VI was canon (and decried the travesty that is Ep. I-III). I scoffed the Star Wars books, and over time scrapped Ep. V and VI from my internal canon as well, refusing to believe Leia was Luke's sister, etc.
Now I've revised my internal canon somewhat.
Because Timothy Zahn is awesome.
Or at least, he really really breathes life into the Star Wars universe. He gives depth to the 'Force' by straining the metaphor to make it as theistic as possible, he writes characters that feel so incredibly real, and best of all, there are no expendable characters. Even the one-page nameless throwaway characters feel real and are given dignity and personhood---from the witty shield-ship operate annoyed with Han's non-cooperation in moving the Millennium Falcon, to the control-operators of the Imperial Fleet, to the squabbling aliens at the marketplace, to the faceless bad-guy ninjas---all transformed into beings with faces, with souls, with thoughts.
You never get the feeling that all the other characters are card-board cutouts to give color while the main characters be awesome. You get the feeling that everyone else is just as precious as the princesses and Jedis, from the conscripts of the Imperial fleet, to the pushy nameless alien trying to sell fruit to Wedge. Every life is precious, each soul something remarkable and valued. Even (spoiler alert) the clones. (As a clone myself, this distinction is very important to me). Even if sometimes you have to kill people. They still matter. Its complicated....But basically, you finish his books caring about his characters, who feel like real people---who struggle with big things, like the meaning of 'justice', and the value of human life, and demonic possession, and not letting bitterness eat your heart out.
Not to say there aren't places where Zahn does it poorly. The end of The Last Command was a pillow-punching disappointment for me. (I don't want to give away too many spoilers) Suffice to say that he has made up for it in his 2-book sequel The Hand of Thrawn, everything good in the Thrawn trilogy gets better in the Hand of Thrawn, and the things done wrong in the Trilogy are somewhat righted in the Hand of Thrawn. (Although I haven't finished it yet....)
However, as the Hand of Thrawn bitterly shows with its elaborate (and creative) re-explanations of the havoc wreaked by lesser authors on his beloved characters in between his books (Mara just PRETENDED to be an airhead for a secret spy mission...Those other girl's Luke dated? He was under the influence of the Dark Side...) , many many Star Wars books are silly, stupid, and do wretched things making beloved characters act totally out of character.
Hannah's internal Star Wars canon (a.k.a. THE TRUTH), is
- Episode IV
- Episode V
- Episode VI
- Timothy Zahn's Thrawn Trilogy
- Timothy Zahn's Hand of Thrawn
But in Ep. IV-VI + Timothy Zahn's books, the Star Wars characters act true, and the universe corresponds to reality.
It fits. It works. It's real.
I rest my case.
**********
Updated with all the new books he's writing "Allegiance", "Choices of One", "Survivors Quest", and "Scoundrels".
I refuse to accept whatever weird death some lesser author assigned to Mara.
She clearly had at least 4 kids (her vision saw "childREN"), and convinced Luke to go off and work with a Thrawn clone in the Empire of the Hand to defend the galaxy from the horrible threat....
Wednesday, June 5, 2013
We've arrived in AZ
My in law's back yard. They water it 2x a week. Its one of the most beautiful places here. There are lots and lots of of desert landscaping, a lot of dirt, a lot of rocks. Some cacti and palm trees. And then there's my in laws back yard, hidden like Rivendell. Its a little walled, watered garden. With 3 trees. (Some of the few deciduous trees here, in palm tree country, 2 orange, and 1 mulberry). It all feels very Biblical, somehow.
Here it is with the westering sun catching the spray of the sprinkler system.
And here, ofcourse, are the kids. It was 6 pm, and still around 100 degrees here, hence the flushed children. Contrary to what appears, I do not put lipstick on my little boy. There was something going on with the saturation of the colors.
In the Arizona sun, I am training Jehanne to wear hats
It was around 6 pm and a little over 100 degrees. Isaiah stayed cool with a bucket of water and water toys, and periodically running through the sprinklers. Sometimes I helped by pouring water on his head.
Jehanne has taken to noticing other people's food. Now it started with cups. She recognized....
Demanded it......
I drew an elven banner on the cement, with some chalk...
Here it is with the westering sun catching the spray of the sprinkler system.
And here, ofcourse, are the kids. It was 6 pm, and still around 100 degrees here, hence the flushed children. Contrary to what appears, I do not put lipstick on my little boy. There was something going on with the saturation of the colors.
In the Arizona sun, I am training Jehanne to wear hats
It was around 6 pm and a little over 100 degrees. Isaiah stayed cool with a bucket of water and water toys, and periodically running through the sprinklers. Sometimes I helped by pouring water on his head.
Evidently, he was thirsty.
Very Thirsty....
Jehanne has taken to noticing other people's food. Now it started with cups. She recognized....
Demanded it......
I drew an elven banner on the cement, with some chalk...
Wednesday, May 1, 2013
Rough Draft Review of Marvel's The Amazing Spiderman (data dump/journalling)
-Father figures
- Peter's dad (playing tag with his son, son can't understand why gave him away, but then parents murdered) (Little boy and dad theme)
- Peter saves boy on bridge, daddy freaking out (little boy and dad theme) who later saves the day with the crane operation, and all those construction worker's with American flags, being awesome.
- Uncle Ben (AWESOME step dad. Says/does all the right things, really trying, really loves Peter, sensitive to his feelings, his hurts. Gets mad at him and launches the typical angry dad lecture, but then looks for him, leaves that awesome message on his phone. Dies. But was right. Was so so so right. And Peter knows he was. Also, dies because Peter was being selfish, Justice is about what's in it for me.)
- Gwen's dad. A real hero. Cranky, gets upset, not impressed with boyfriend etc. But listens when Peter's being crazy. Says all the snarky dad movie lines, but really does listen. Loves Gwen, tries to make her chocolate milk. Listens to Peter again, when he's at gun point. Then, my favorite part, steps in when Gwen trying to do cool things and save the world, "I get it, your boyfriend is a man of many masks, now get in the car" makes her get in the car, but personally takes the serum himself and a gun, and goes up there to rescue Peter. (not a fan of their relationship, but really does love this disturbed boy). Then his AWESOME scene when Peter is alone, going to die, being mocked for his lack of dads? And Gwen's dad shows up with a gun, and says "He's not alone" and then summarily dies for him. And then his epic dying speech. Where he tells Peter "I was wrong, this city needs you" as he dies, chief of police who was so irritated with this whipper-snapper he just died for, but tells him, "Leave Gwen Alone". He loves (dies for!) Peter, yet tells him, leave her alone. You are not good for her. And when Peter honors that promise, she's mad at him, she feels dumped/betrayed, but he's staying strong, trying to keep a promise he doesn't even understand to a man that died for him, because "(he said) I'm not good for her"
And then there were the themes of the dads being right. Peter feels so betraying that his dad and mom dumped him off. But they were right, they were killed, and he was not. Then there was uncle Ben. With all the stereotypical angry Dad lines ('apologize to your mother!') yet he was right. And Peter knows he's right. And Peter listens to the voicemail at the end. And then there's Gwen's dad. With all the stereotypical dad-of-girlfriend lines. (thinks boy is crazy, not good enough, leave it to the cops, etc) And yet...the way he delivers the stay-away-from-my-daughter speech is so moving....its after he has gotten mortally wounded for Peter, after he's stuck up for Peter, and after he swallows his pride and tells Peter that he is necessary, needs to do what he couldnt' do. Awesome speech. He loves him in the way that is done and not said, he laid down his life for him. And then he says, you are not good for her, leave her alone.
Why?
It makes no sense to hormonally charged this-is-love teenage Peter. And yet, the dads have been right. They've been proved to be right. And this Dad, is right. Peter is not good for her. and this dad says that in the context of really caring about Peter. But he knows, this is not good for her, because, Peter's powers will put her in danger. Peter is not trying to hurt her. He loves her. But it will put her in danger all the same.
And this is also, like a metaphor, for teenage romance.
Peter loves her. But he is putting her in danger (and himself) of this un-bridled wild horse of teenage romance, teenage hormones, and autonomy--new power of choosing when to go and when to come and where to be (growing out of childhood--except more so, because no one even knows. They can swing out the window any time)
And Peter doesn't understand how this makes sense. Peter loves her! Right?
But Gwen's dad knows. The dads know. In uncle Ben's words "Take it from an old guy..."
And so, to honor this father-figure who died for him, he breaks up with the girl, and she hates him for it. And its so hard, and he doesn't understand why, but he's obeying someone who loved her and died for him. He's listening to the dads. And in this movie, the dads are right.
It was an argument, a plea. Crafted about Fathers, and the calls they make, that hurt, that Peter doesn't understand, but that turn up to be right. And in the end, it applies to his teenage romance. And (as the watcher's know, is right, since the watchers know he does not marry this girl. That every kiss is one not given to his wife, that they'll live to regret this when they're both with other people) so we know... that Gwen's dad is right. Like he was right about the sting operation. Peter was trying to be good, and showing off being cool, but he was trying to do things his way, use his new powers etc. But he wrecked a months-long sting operation of Gwen's dad. It was a metaphor, a powerful symbol. Our teenage romances mean all the best, but can wreck the Big Picture. The Big Plan for the other's good.
And at the end, in the hall, the girl you love being mad at you, because you have to act like you don't love her because you do love her (and want her best, or at least, obey the man who wants her best), and the bully you didn't like, really trying to be your friend now, having a good side (when you don't really want to see his good side) now having to love the bully and (act like you) hate the girl. Its the reverse of the opening scene. And yet. It felt like it was about love. Real love. Loving and being with the people you don't particularly want to love, but must. Not loving (not being with) the girl you really do love, because, you love her, and want her best.
I was deeply moved.
Then the last scene, where the English teacher tells the class that all archetypes are really all about ME. WHO AM I? And then Peter flippantly says promises you break are the best kind. And Gwen smiles.
PROMISES YOU BREAK? Like, the one on your weight loss regimen? Or the one you made to a girl's dad as he bled to death for you, making you promise to leaver her alone, because he loves her (and you). ????
When a man makes an oath, Meg, he holds his soul in his hands, like water. And if he opens his fingers then....
The whole movie was a constructed argument. With a repeated motif. (Fathers, fathers making choices that hurt, saying things that hurt, but they want your best. And they are right) With metaphors (the sting operation and the car-thief), and reassurances (the dads love you. Even Gwen's dad steps in as Peter's father when he's all alone), and then ends with a dying request. End that teenage relationship, if you love her. End it. Because you will put her into danger.
And it leaves the teenage audience asking, why? All the other times the dads were right, and now, this one, why?
It was a message that our generation of love-makes-it-good and follow-your-heart and experiment-with-your-new-powers and its-all-about-me/who-am-I kids need to hear. From REAL MEN, REAL DADS who die for you, care about you, and tell you to leave the girl alone.
And notice, Peter doesn't have the strength to listen to the whole voicemail, until AFTER he dumps the girl. Then, lonely, his listens to the voicemail, where uncle bend says 'take it from an old guy' and tells him that he's a man, that he loves and respects him.
It was a superbly crafted argument. That moment when I realized those cringe-inducing romance scenes were intentional. The whole thing coming together. Ending with a request from the dying father, and you ask yourself 'why?" and you THINK.
IT WAS PERFECT
IT WAS GOING ON MY TOP 10 MOVIES LIST, OF WHAT THIS GENERTAION NEEDS TO HEAR
And then they bombed it, with that added-on feeling 5 second last scene.....
WHY WHY WHY?
Either
- I imagined the whole argument? It was just a flailing action chick flick with accidental themes? (Highly unlikely. SOMEONE knew what they were doing with the Gwen's dad death scene. It will at the least, make the romance teens squirm with awkward guilt, him dying and all)
- Some Moffat-type is playing cat and mouse with me
- They will make something awful happen to Gwen in the 2nd movie, and Peter realizes the dad is right. It works. Its a lot less elegant and less beautiful than the ending could have been here. At least its consistent. But its sad. But then, it takes the punch out of the end, the time that the teenagers go home and subconsciously mull about this.... It badly times it, I think.
- There was a fight in production, some crafted the whole argument, and someone else tried to lighten the mood and wrecked it at the end. (Like in Luther, Joan of Arc, or arguably, Star Wars)
So there you have it. I kind of hope its 3 (with a heavy heart) because that's the only one that's consistent. But it is sad, really sad. I suspect its 4, given what I've learned about the power-struggles behind movie making. And if its 4, all I have to say is...
What a shame. All that work. What a shame.
But perhaps echoes of the original argument will persist in teenagers minds, perhaps their subconsciouses will absorb something from this. Let us hope.
AND SOMEONE NEEDS TO MAKE MOVIES AND BOOKS! Saturate the market! Show reality the way it is, the complexity, the pain, the beauty. SHOW IT. (Like this movie almost did), AND FATHERHOOD.
God knows we need more of it, in this country, with our fatherless children and skyrocketing divorce and illegitimacy rates.
And ultimately, because way bigger than romance, there is a Father-shaped hole in each one of us. that not even the best daddy can fill.
Because its there for God.
Tuesday, April 23, 2013
Review (Rant) on Terry Pratchett's 'Men At Arms'
So I had intended to keep this blog more focused on making things, sewing, cute children, making house beautiful, medieval things etc etc.....But not anymore. Ok, so about Terry Pratchett's Men at Arms... WHAT????? I had read Night Watch. Yeah it had the double entendres, the constant 'jokes' about prostitution (and...birth control??) of someone I deemed disturbed by it all. But it took you into Sam Vimes head. And it rang true, mostly, I loved Vimes/Keel, the whole book was about fatherhood, and lost fatherhood, in a way I still am unravelling. There was one moment where deep into the book, I was flabbergasted, stunned, when Vimes acted (what I thought) was out of character, killing the comatose torture victims because 'they were past all human help.' Throughout the book, I had been extremely impressed with Pratchett's 'nose' (=his understanding and intuition of things). But there, I was stunned. Were common sense Brits who could see through communism and understood human nature and all that really this much closer to the Liverpool Care Pathways euthanizing death traps then I had hitherto assumed? But no, its bigger than that. VImes wouldn't have killed them, because that would be Vimes giving up. And if Vimes (who really really cared about people, and is highly disturbed by evil in the world, and doesn't believe (rightly so) that the petty discworld gods care or do something about it) gave up, he would kill himself.
Throughout the book, (and in Men at Arms too) Vimes struggles with despair, with trying to fight evil in a world so full of it that will always be full of evil no matter what you do. (And now I understand why the Last Judgement is sooo important. To keep going, to fight for justice and truth now. The commees are wrong. To believe in heaven, in a final reckoning and righting of the world, is the only way to cope and keep fighting for justice and truth and mercy in this one). SO. So, I really liked Night Watch, even though it left me grieving, there was a sky in it. It ended with a baby, with the washed out doctor who had to help prostitutes with birth control, getting to deliver a child at the end. And the grief part, with Vimes grieving over Keel, because he is the only one who remembers him now. He grieves over the lost father, and that he had to be his own father instead, because his father was killed? I havent untangled it yet.
Then I read an excerpt from 'The Last Hero' in which Captain Carrot is AWESOME, but...better then his gods. By a really, really, really, really long shot. So I read MEn at Arms, and I love love loved Carrot. He was a different kind of hero than Vimes, in that he is young, and innocent, and 'naive' (vs cynical) but in Pratchett's desparate human attempts to explain Faith (vs. Vimes despair and coping with a messed up world). Carrot is all justice ('simpleness'), truth (never lies), kindness and valuing each individual human being for their own sake, humility (like Captain America, real humility), 'earnest innocence' (=purity. He drinks milk when they go to bars, and he doesn't even 'get' dirty jokes when people tell them.) and he really loves the law (he memorizes the dictionary like 'Laws and Ordinances of Ankh-Morphork). And innocent, idealistic, law-memorizing Carrot collides with a city like Ankh Morpork, with legalized prostitution and legalized assassination, full of corruption and rank human nature to its core. As Josh said, he would either
Throughout the book, (and in Men at Arms too) Vimes struggles with despair, with trying to fight evil in a world so full of it that will always be full of evil no matter what you do. (And now I understand why the Last Judgement is sooo important. To keep going, to fight for justice and truth now. The commees are wrong. To believe in heaven, in a final reckoning and righting of the world, is the only way to cope and keep fighting for justice and truth and mercy in this one). SO. So, I really liked Night Watch, even though it left me grieving, there was a sky in it. It ended with a baby, with the washed out doctor who had to help prostitutes with birth control, getting to deliver a child at the end. And the grief part, with Vimes grieving over Keel, because he is the only one who remembers him now. He grieves over the lost father, and that he had to be his own father instead, because his father was killed? I havent untangled it yet.
Then I read an excerpt from 'The Last Hero' in which Captain Carrot is AWESOME, but...better then his gods. By a really, really, really, really long shot. So I read MEn at Arms, and I love love loved Carrot. He was a different kind of hero than Vimes, in that he is young, and innocent, and 'naive' (vs cynical) but in Pratchett's desparate human attempts to explain Faith (vs. Vimes despair and coping with a messed up world). Carrot is all justice ('simpleness'), truth (never lies), kindness and valuing each individual human being for their own sake, humility (like Captain America, real humility), 'earnest innocence' (=purity. He drinks milk when they go to bars, and he doesn't even 'get' dirty jokes when people tell them.) and he really loves the law (he memorizes the dictionary like 'Laws and Ordinances of Ankh-Morphork). And innocent, idealistic, law-memorizing Carrot collides with a city like Ankh Morpork, with legalized prostitution and legalized assassination, full of corruption and rank human nature to its core. As Josh said, he would either
- A. crumble and become like everyone else, or
- B. commit suicide. (Vimes is teetering on the B option with his despair. Copes by living like a monk and giving his pay to widows and orphans.) or
- C. (the option Pratchett doesn't give him) Transcendence. A god that is higher than this mess, a god that stands above the human squalor and says wrong is still wrong (even if its legal).
Tuesday, April 16, 2013
The Morning People--More Hospital Scenes
The old man groaned. Mary lifted him gently, inch by inch,
his rigid limbs trembled. Diella realized what she was trying to do, and
shifted the pillow back. Mary pulled until the small of his back fit into the
bend of the hospital bed. Then pulled the blanket firmly about him
“We’ve got to keep the bend of his back in the bend of the
bed”
“Why?”
“Better for his circulation. And he needs to sit up a couple
hours a day, so he can see the larks”
She pushed him toward the open window, so he could see out
over the junkyard, with the vines growing over the rusting cars, and the
swallows darting from their nests. It was a bright clear morning. The birds
chattered.
“Thank you, Mr. Johnson. You’ve been a hero” she gripped his
hand. “I’m sorry about all this pushing and pulling, I’ll be back in half an
hour with your breakfast, and George should be here with the stories very
soon.”
Then she bent her head by his, and prayed through the Our
Father. Mr Johnson was not speaking any more, his eyes just stared. But Anja
imagined she saw his lips trying to move as she prayed. When it was over, Mary
smiled at him, (her warm camp-fire like smile, Anja thought)
“I’m be coming back”
And she kissed his old cheek, fussed with the pillows one
more time, and then followed Anja down the hall. She always did that for all
the dying, Anja noted. Though Anja had yet to see her even hold the hand of her boyfriend. If that's who he was. That man all bulky in coats and gear, but quick and silent as a cat, holding his shoulders like a king. It started the night
when she was on the malaria floor, she had come up to the dying floor for gauze wrap. She saw Mary working, and then this man came, She ducked down by a patient’s bed and watched. It was all too
novel-like and mysterious not to. The two of them talking in their little circle of lamplight in the
darkness, like a stage-light, and him giving her mysterious packages. After that, she found reasons to help out on the
dying floor at night. But she’d mostly been disappointed, the handful of times he came they just stood by the pillar, whispering,
and then he’d disappear in half an hour. And the mysterious package he’d given
her, Anja found on further espionage into hall
closet, turned out to be beef jerky and granola bars.
She’d asked Tessa
once, who he was, why he was so mysterious, and why he left so soon. Tessa had
told her to mind her own business, but on further prying, had cryptically said
“perhaps he has reasons to be mysterious.” Which only made it that much more
interesting.
But after that Tessa wouldn’t talk any more, and somehow made
sure her nightshifts were always on some other floor. Which was ok. After witnessing a few deaths there, Anja decided it wasn't worth a smidgen of awkward romance.
But she still hadn’t
dared ask Mary about it. Perhaps for the fear it would turn out he was trucker
or a rancher or something boring, and mostly because, well, she didn’t want
Mary to know she knew. To know she had a boyfriend would be an invasion
of privacy, somehow, like reading someone else’s diary.
Mary wiped her brow. She was small, and lifting the patients
took a lot out of her.
“At noon we’ll have to put Mr. Johnson in the flat bed again,
if you could help me again with that”
“Why don’t we just make the bed flat, I mean, it’s a hospital
bed”
“Its broken”
“I thought you said we had a couple dozen working ones?”
“Not anymore”
“You can’t get any new ones from the hospital supply branch?”
Mary smiled wryly.
“It was them who took the working ones away.”
“Why??!”
“To be distributed to hospitals who ‘were more vital to the
community’”
“Well, how are we going to serve the community if we haven’t
got working equipment? Hey, didn’t they take the oxygen tanks too? And—“
But seeing the pain on Mary’s face stopped. It was still raw.
She realized for every oxygen tank and bed taken, Mary had to evict, or shut
off the oxygen for a patient. Only to Mary they weren’t ‘patients’, terminal
anyways. To her they were ‘Mr. Johannsen’, ‘Mrs. Gallenham’, “Jordan”….And Mary
felt the shame of watching them lose the little she had been able to give them.
Drat those bureaucrats. But had they been right? Didn’t an otherwise healthy
college student or 7 year old child need the oxygen more than say, one of Mary’s terminal
old people, or preemie who didn’t stand a decent chance?
“Well, we’re not a real hospital, we are a terminal ward
after all. I guess we have to make the best of the leftover tech from the other
hospitals, hah, its already like that with the patients”
“We’re all terminal”
She looked at Mary. She was angry. She never had seen Mary
angry. Together they changed the bandages on the entire wing, Marys lips pressed together white, in silent fury.
The stepped out into the hallway. Mary held her face,
slumping against the wall. She was tired.
“Look, if you need a break, I think I can handle…”
“No, Anja. Forgive me. I was wrong to hate”
“For taking the oxygen
tanks?”
“for taking the beds, the oxygen, the medicines, the surgery
tools, the maternity unit, the---everything they’ve done to this hospital.
It used to be what you called ‘a real hospital’. After the riots, I thought we
could carry on, many people would know we weren’t monsters, I thought. But then
the regulators came....and it’s like this now. The only reason
they let us care for----how you said it, ‘the leftovers’---is because the‘leftovers’ no longer ‘qualify.’ So they may as well
come to us, they think, come to our bombed out shell of a ‘terminal ward.”
It was the most words Anja had ever heard come from Mary’s
mouth at once.
“I must forgive them, Anja, but how? The bitterness, I hold on to it”
Anja shuffled her feet. She was embarrassed. How exactly she
had become Mary’s confessor she wasn’t sure.
“Pray for me Anja, there is poison in me. The patients deserve better than me like this.
If they can forgive---and Anja, they have forgiven so much—then I can forgive---”
There was another silence.
“I confess to Almighty
God, to Mary ever virgin, to Michael…
Anja really didn’t want to be here for this.
…and to all the saints
that I have sinned exceedingly in thought, word, and deed…
Anja was paralyzed by awkwardness
through my fault,
through my fault, through my most grievous fault….
Just when she thought it couldn’t get any more awkward, Mary
was thumping herself. Anja inwardly groaned and shut her eyes. Mary was not a
dramatic person. This felt painful, like watching a junior high school play.
…. and all the saints, to pray for me to the Lord our God.
Amen.
Anja didn’t move, paralyzed by awkwardness.
Mary wiped her brow, straightened up, smiling in thanks, like Anja
had just ordered her a sandwich from a cafe.
“Thank you for praying for me”
Anja nodded, because she didn’t know what else to do. It
wasn’t that she didn’t pray. She just preferred now to think of the God of her
childhood as a Higher Power, a force of love, who was there for you, somehow.
But this king on a throne whose peons had to beat their
chests and wail about being the scum of the earth? It was all so…medieval.
****
“Why?”
“They’re talking about the Pastor Karol scandal.”
Mary looked sad, and bent back over the bandaging.
“Mary”
“Yes?” her fingers still pulling the gauze strips tight.
“Why do—why do you religious ones, insist on telling everyone
your high standards?”
Mary was quiet.
“I mean, isn’t it better just to live them? Whey
talk about
the sexual commands in the Bible? This pastor scandal was a shame, but I
know
this happens all the time in the corporate world….we’re humans. It
happens. But
no one cares, because they don’t go around telling people what to do,
that God
sayeth thou shalt not...I mean, its good to have convictions, but why
announce
them? If you tell people that’s how they’re supposed to behave, one,
they’re not
going to listen to you, and two, it just makes them mad. Why even talk
about them at
all? Don’t let them know you have this crazy high standard, because then
they
use it against you when you can’t keep it, and they take it for granted,
when you do. Isn’t it better to let your actions speak for themselves?
And then, when you do mess up, it’s not as big of a deal, they’ll say,
hey, my boss does that all the time, an only a handful of the pastors do
it”
Mary finished wrapping the arm, and tied off the gauze
strands. She stood up.
“Anja, did you ever wonder why we wear white at the
hospital?”
“No, why?”
“So the dirt will show.”
She got up, and began to wash the open bedsores with a fresh
bowl of water.
***
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